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It's an anniversary truly worth celebrating:
Make
A Difference Day turns 10.
USA WEEKEND
Magazine's annual day of volunteering has grown into one of
the nation's most eloquent tributes to the American tradition
of helping others. A lot of others. Since the first Make A Difference
Day, more than 10 million volunteers have joined in and, as
a result, millions more lives have been touched and improved.
To mark the significance of this anniversary, USA WEEKEND
has asked some of the country's most prominent and popular
writers to share their ideas of what it means to make a difference.
Their visions -- some insightful, some delightful, all inspiring
-- will appear in issues of the magazine between now and Oct.
28's Make A Difference Day.
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Other Make a Difference Day celebs:
Writer
Anchee Min on the value of education
Wally
Lamb brings the expressiveness of writing to prison inmates
Bestselling
author Matthew Klam is enriched by a handicapped child
Robert
Putnam, writer of Bowling Alone, is optimistic toward youth
Mitch
Albom, author of Tuesdays With Morrie, finds his late teacher's
words live on.
Arthur
author Marc Brown believes where kids read, kids help others
Christopher
Paul Curtis, author of Bud, Not Buddy, hails a hero he overlooked
-- his dad.
Ana
Castillo, poet and author, tells how a gathering replenishes women
who make a difference.
Ann
Hood, author of Ruby and the upcoming Do Not Go Gentle:
My Search for Miracles in a Cynical Time, comforts the spirit
by feeding the sad, the lost and the lonely.
Justin
Timberlake makes a difference through music
Wish
You Well writer David Baldacci,
learns a lesson from young writers
Patricia
Cornwell, writer of The Last Precinct recalls what a world-renowned
evangelist did for a scared little girl
Marc Parent, author
of Turning Stones: My Days & Nights With Children at Risk,
recalls a dying woman and a pet in need.
Two
Lives
 had
forgotten to turn off my pager. I was packing my things for home
at the close of my shift when it went off. 4259, the nursing station
on Mulenberg. The AIDS floor -- rooms occupied by uninsured junkies,
hookers and various other forgottens. Closing the last buttons of
my jacket and cinching a scarf around my neck, I made the call.
A woman in 12-B desperately needed to see a social worker. Something
about a cat.
I stood at the patient's bedside -- a late-20s white woman in
the final stages of her disease, who had been admitted after the
recent onset of blindness. Now the rest of her organs, one by one,
were slowly giving up as well. But that's not what had her on the
verge of panic.
"The cops arrested my boyfriend," she said, her blank eyes uselessly
searching my face. "He just called from jail. My cat has been locked
in our apartment without food for four days." She thrust her keys
out. "You have to get her."
It wouldn't be right for me not to admit that my first thought was of the dinner party my wife was throwing for two other couples at our apartment -- the one I would all but miss if I went for the cat.
"I can't stand the thought of her suffering alone. Please," she begged shaking the keys from her fist. "Just open the door and let her out. At least she'll have a chance."
It seemed unlikely I might enjoy a dinner party after ignoring the last wishes of a dying woman and letting a cat starve to death.
"Give me the keys."
"Be careful," she said through tears as I left. "It's a dangerous building -- lots of addicts and dealers."
On the ride uptown, I tried to talk my cabby into adopting the cat. He said that his wife takes in every stray she sees and he doesn't like cats to begin with.
"How long is cat without food?" he asked through a thick Polish accent.
"Four days."
"This is dead cat, I think," he said and then described a piece he'd read in the paper about the enormous number of cats dying each day in New York. The longer he went on, the lower the sun got, the higher the street numbers went, the crazier it seemed to be risking my neck to save a single cat that was probably already dead.
At the building, an ominous-looking group of men huddled around the entrance. "It's supposed to be a dangerous building," I told my cabby. He looked back at me as I undid my tie and put it in my pocket. Then he reached over to turn off the meter and grab a cigarette. "I go with you," he said.
At the apartment door, we could hear meowing. "We only have to let it out," I said, expecting a fat, arthritic calico, but as we stepped inside, a small cat raced from the darkness into my arms -- young, black with white tufted paws, a thin silver bracelet circling her neck. "This is good cat," my cabby said, his mouth turned down and his eyebrows high.
It's only a matter of time before you reach a moment in life when you're confronted with the choice of saying yes or no to a desperate cat. This was my moment. The cat knew it, nestling up under my chin.
We went home.
"You're late, honey," my wife said from the top of the stairs. I could hear the guests in our apartment behind her. "What's in the box?"
"A cat," I said.
"Late and a cat," she said turning inside, and we had a nice dinner anyway.
The next morning, I went to 12-B to give the woman her cat's silver
bracelet. She pushed it onto her thin wrist and then cried into
her palms. She thanked me. I told her my wife and I would keep the
cat. "What's her name?" I asked, hoping for an Odessa, a Milo, even
a Freddi.
"Linda," the woman said, through tears. My shoulders fell. A cat named Linda.
We kept her despite the name, until the arrival of our first son and the ongoing battle whether it was her tail or his eyeball that would eventually be destroyed. So Linda changed hands once again, moving just outside the city to a friend's farmhouse.
The woman in 12-B died a month after I had met her. In that time, we had gotten to know each other well. "Why 'Linda?' " I finally asked on one of my last visits.
"In Spanish," she said, "it means 'beautiful.' "
That was five years ago. The cat is still alive -- still with
the same couple, although they've renamed her Lilly and moved to
a luxury flat in Santa Fe. My wife and I joke about our Spanish
Harlem cat living in the New Age West, working through issues of
her rocky childhood. No matter what her name or where she lives,
she'll always be Linda the crack house cat to me. A silver bracelet
around her neck and the woman who loved her, one patient on Mulenberg
I haven't forgotten.
NEXT WEEK: Ana Castillo, poet and novelist, on making a difference
Photo by ROB KINMONTH for USA WEEKEND
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